deutsch
english
Ausstellungen
exhibitions
Künstler
artists
News/Presse
news/press
Galerie
gallery
Javier Téllez
Javier Téllez
Ausstellungen
exhibitions
CV
biography
Javier Téllez

1969

Born, Valencia, Venezuela
Lives and works in New York


Selected Solo Exhibitions

2014

Shadow Play, Kunsthaus Zürich, Switzerland
Games are forbidden in the Labyrinth, Walter and McBean Galleries, San Francisco Art Institue, USA
Games are forbidden in the Labyrinth, Redcat, Los Angeles, USA

2013

SMAK, Ghent, Belgium, cur. Philippe Van Cauteren
The Conquest of Mexico, Figge von Rosen Galerie, Cologne, Germany

2012

Ungesehen und unerhört II: Javier Téllez, Museum Sammlung Prinzhorn, Heidelberg, Germany
Rotations, Galerie Peter Kilchmann, Switzerland, Zurich

2011

Letter on the Blind for the Use of Those Who See, Arthouse at the Jones Center, Austin, US
O Rinoceronte de Dürer, Fruits, Flowers, and Clouds, MAK, Vienna, Austria
Letter on the Blind for the Use of Those Who See, Moca Cleveland, Cleveland, US
O Rinoceronte de Dürer, Galerie Arratia, Beer, Berlin, Germany

2010

Vasco Araújo/Javier Téllez - Larger than Life, Marco, Museo de Arte Contemporánea de Vigo, Spain, cur. Isabel Carlos
Vasco Araujo/Javier Téllez - Larger than Life, Museu Calouste Gulbenkian, Lisbon, Portugal

2009

4 ½, curated by Hilke Wagner, Kunstverein Braunschweig
Mind The Gap, curated by Sabine Schaschl, Kunsthaus Baselland, Basel
Javier Téllez: International Artist in Residence, Govett-Brewster Art Gallery, cur. Mercedes Vicente, New Plymouth
Caligari und der Schlafwandler, Figge von Rosen Galerie, Cologne
Javier Téllez. Letter on the Blind for the Use of those who See, Musée d’Art de Joliette, Canada

2008

Der Brief über die Blinden zum Gebrauch für die Sehenden, Galerie Peter Kilchmann, Zürich

2007

Oedipus Marshal, Figge von Rosen Galerie, Köln

2006

Oedipus Marshal, Aspen Art Museum, Aspen
The battle of Mexico, ARRATIA, BEER, Berlin
La Passion de Jeanne d’Arc (Rozelle Hospital), Peter Kilchmann Gallery, Zürich

2005

La Passion de Jeanne d’Arc (Rozelle Hospital), The Power Plant Contemporary Art Gallery, Toronto
S-t-e-r-e-o-v-i-e-w, Bronx Museum of the Arts, Bronx, New York

2004

A Hunger Artist, Museo Carillo Gil, Mexico City

2002

Alpha 60 (The Mind-Body Problem), White Box, New York
A Hunger Artist, Sala Mendoza, Caracas

2001

Bedlam, Sala 7, Museo Rufino Tamayo, Mexico City
Aire de México, La Panadería. Mexico City

2000

Bounced, Serge Ziegler Galerie, Zürich

1999

I am Happy Because Everyone Loves Me, Gasworks Gallery, London

1997

The Ship of Fools, Sala Mendoza, Caracas

1996

Penalty, Silverstein Gallery, New York
The Cure of Folla, Museo de Bellas Artes, Caracas and Museo Arturo Michelena, Valencia
Jonac 2001 mg, Silverstein Gallery, New York


Selected Group Exhibitions

2014

Artlovers - Histoires d'Art dans la Collection Pinault, Grimaldi Forum Monaco, Monaco
Here and Elsewhere, Frac Nord-Pas de Calais Collection, Espacio Promoción del Arte – Tabacalera, Madrid, Spain
The Torches of Prometheus, Kunsthaus Zürich, Zurich, Switzerland
Under The Same Sun: Art from Latin America Today, The Solomon R. Guggenheim Museum, New York, USA
acting-out: the institution denied, Anxiety Arts Festival London 2014, Colechuch House, London, UK
High Horizon: Bruegelland early 21th century, Stedelijk Museum, Lier, Belgium
inSite: Cuatro ensayos de lo público, sobre otro escenario, La Tallera, Cuernavaca Mexico
Recycling Memory: Recapturing the Lost City, IX Biennial of Visual Arts of Nicaragua, Managua, Nicaragua
2nd CAFAM Biennale: Invisible Hand: Curating as Gesture, CAFA Art Museum, Beijing, China
El Hotel Electrico, M HKA Museum van Hedendaagse Kunst Antwerpen, Antwerp, Belgium
The Marvelous Real. Contemporary Spanish and Latin American Art from The MUSAC Collection, MOT Museum of Contemporary Art, Tokyo, Japan
We are living on a star, Henie Onstad Art Center, Høvikodden Norway

2013

Infra-Mince, Figge von Rosen Galerie, Berlin, Germany
Ils sont nous et nous sommes eux!, Collection FRAC Nord / Pas de Calais, Centre Arc en Ciel, Liévin, France
À Triple Tour, Pinault Colleciton, Conciergerie, Paris, France
Au-delà de cette limite votre ticket n’est plus valable, Pavillon Vendôme, Vichy, France
Pataphysics: A Theoretical Exhibition, Sean Kelly Gallery, New York, US
Disabled by Normality, DOX CCA, Prague, Czech Republic
What to Think, What to Desire, What to do, Fondation La Caixa, Barcelona
Changing Scenes: Points of View in Contemporary Media Art, The Fabric Workshop and Museum, Philadelphia

2012

Garden of Learning, Busan Bienniale 2012, Busan, Korea, cur. Roger M. Buergel
Voice of Images, Palazzo Grassi, Venice, Italy
Niet Normaal – Differences on Display, The Bluecoat Gallery, Liverpool, UK, cur. Ina Gevers & Garry Robson
dOCUMENTA (13), Kassel, Germany, cur. Carolyn Christov-Bakargiev
Parallelwelt Zirkus, Kunsthalle Wien, Austria, cur. Verena Konrad
Aire de Lyon, Victoria Northoorn, Fundación Proa, Buenos Aires, Argentina
Wunder, Kunsthalle Krems, Krems, Austria, cur. Praxis für Ausstellung und Theorie
Track, SMAK, Gent, Belgium & Kunsthaus Zürich, Zurich, Switzerland, cur. Philippe Van Cauteren & Mirjam Varadinis

2011

3 Expositions + 1 Film, Monaco National Musée Nouveau, Villa Paloma, Monte Carlo, Monaco
Miracles, Deichtorhallen Hamburg, Hamburg, Germany, cur. Praxis für Ausstellung und Theorie
A terrible Beauty is born, 11th Biennale de Lyon, Vitctoria Noorthoorn, Thierry Raspail, Thierry Prat, Lyon
Dublin Contemporary 2011, St Stephans Green House, Dublin, Ireland
A Slowdown at the Museum, Extra City Kunsthal Antwerp, Antwerp, Belgium
Universo vídeo. Fleeting Stories, Laboral Centro de Arte y Creación Industrial, Gijón, Spain
El grito, Musac Museo de Arte Contemporaneo de Castilla y León, León, Spain, cur. María Inés Rodriguez & Sofía Hernández Chong Cuy
Too late, too little, and (how to) fail gracefully, Kunstfort Asperen, Asperen, Netherlands, cur. Nathalie Hartjes
Unter Helden, Vor-Bilder in der Gegenwartskunst, Kunsthalle Nürnberg, Nurnberg, Germany
Yes we don’t, Institut d’Art Contemporain, Villeurbanne, France, cur. Nathalie Ergino & Joëlle Benzakin
Tracing the unseen border, LaMaMa La Galleria, New York, NY, USA, cur. Ian Cofre & Omar Lopez-Chahoud
Crisiss. América Latina, arte y confrontacion 1919-2010, Palacio de Bellas Artes, X-Teresa, cur. Gerardo Mosquera Mexico City, Mexico
Daydream Believer!!, Yebisu International Festival for Art & Alternative Visions, Metropolitan Museum of Photography, Tokyo, Japan, cur. Hiroko Tasaka

2010

Niet Normaal, The Boers, cur. Ine Gevers Amsterdam
Die Nase des Michelangelo, Galerie Peter Kilchmann at Marktgasse, Zurich, Switzerland
Epílogo (Epilogue), Museo de Arte de Zapopan, Zapopan, Mexico, cur. Cristián Silva
Sem Fronteiras, Museu Bispo de Rosário Arte Contemporânea, Rio de Janeiro, Brazil, cur. Wilson Lazaro
De Frente al Sol (Facing the Sun), Galerie Martin Janda, Vienna, cur. Patrick Charpenel
Alienator: Le Retour, Museum Murten, Murten, Switzerland, cur. Esther Jungo/Charlatan
Model Kits, Musac Museo de Arte Contemporánea de Castilla y León, León, Spain, cur. María Inés Rodríguez
Adaptation, The Power Plant Contemporary Art Gallery, Toronto, Canada, cur. Helena Reckitt
11. Tiennale Fellbach Kleinplastik 2010, Stadt Fellbach Kulturamt, Fellbach, Germany
Substitute Teacher, Atlanta Contemporary Art Center, Atlanta, US, cur. Regine Basha

2009

Périfériks, CAN Centre d’Art, cur. Kader Attia, Neuchâtel
Acciones Disolventes: Videoarte Latinoamericano, Centro Cultural Chacao, cur. Carlos Palacios, Caracas
Exposition of Mythology, Electronic Technology, Nam June Paik Center, cur. Chung Chul Lee, Gyeonggi
Alienator on Tour, Marks Blond Project, cur. Esther Jungo, Bern
Islands + Ghettos, Stadtmuseum Graz, cur. Johan Holten
Alienator on Tour, Ancienne Gare, cur. Esther Jungo, Fribourg
For You / Para Usted. Videos aus der Daros-Latinamerica Sammlung, Daros Exhibitions, Zürich
Acting Out, ICA, cur. Jen Mergel / Nicolas Baume, Boston
Islands + Ghettos, Neue Gesellschaft für Bildende Kunst e.V., cur. Johan Holten, Berlin

2008

Whitney Biennial, Whitney Museum, New York
Rational/Irrational, Haus der Kulturen der Welt, Berlin

2007

Between two death, curated by Ellen Blumstein and Felix Ensslin, ZKM, Karlsruhe
Constructing a poetic universe: The Diana and Bruce Halle Collection of Latin American Art, The Museum of Fine Arts, Houston
Jump-Cuts: VenezuelanContemporary Art from the Colección Mercantil, curated by Jesús Fuenmayor,Tahía Rivero and Lorena Gonzales, cifo, Miami
Visiones del paraíso:utopías/distopías/heterotopías, espacio 1414, San Juan

2006

postEr, curated by Dimitrios Antonitsis, Hydra School Project, Hydra
On Mobility (final sequence), curated by Saskia Bos, De Appel, Amsterdam
Die Kunst erlöst uns von gar nichts, curated by Paz Aburto Guevara a.o., ACC Weimar, Weimar
Capital Culture, curated by Marco Scottini, prometeogallery di Ida Pisani, Milano
Dark Places, curated by Joshua Decter, Santa Monica Museum of Art, Los Angeles
When Artists Say We, Artists Space, New York
T1 Pantagruel Syndrome, Castello di Rivoli, Museo d’ Arte Contemporanea, Turin
InSite_05, curated by Carmen Cuenca/ Michael Krichmann, San Diego/Tijuana
Prague Biennale 2, curated by Marco Scotini, Section “Accion Directa”, Prague
Jump Cuts — Venezuelan Contemporary Art, Americas Society, New York
The Here and Now, The Renaissance Society, Chicago

2004

On Reason and Emotion, Biennale of Sydney, Museum of Contemporary Art, Sydney
Emotion eins, curated by Nikolaus Schaffhausen, Frankfurt Kunstverein, Frankfurt am Main
Settlements, Musée d’Art Moderne de Saint-Etienne Mé’8etropole, St. Etienne

2003

Utopia Station, 50 Venice Biennale, curated by Hans-Ulrich Obrist a.o., Venice
Living in a Cloud, Royal Hibernian Academy, Dublin 2nd Valencia Biennale, Valencia
Prague Biennale 1, Pheripheries become the center. Prague
Dreamspaces/Entresuenos, Lobby Gallery of Deutsche Bank, New York
Forbidden, Gana Art Center, Seoul
Etnografia: Instrucciones de uso, Museo de Bellas Artes, Caracas
Queens International, Queens Museum of Art, Queens

2002

Fotofest, Houston Community College, Houston
Bienal Iberoamericana de Lima, Lima
Thinking Local: Gonzalo Lebrija, Cristian Silva & Javer Téllez, Sicardi Gallery, Houston
TABU - Mavericks und heisse Eisen, curated by Sabine Schaschl-Cooper,
Kunsthaus Baselland, Muttenz, Switzerland

2001

Plateau of Humankind, curated by Harald Szeemann, 49 Venice Biennale, Venice
Yokohama Triennale
Ideal House, NICC, Antwerp
Hieronymus Bosch, Boijmans Van Beuningen Museum, Rotterdam,
Loop: Alles auf Anfang, curated by Klaus Biesenbach, Kunsthalle der Hypo-Kulturstiftung, Munich

2000

Gwangju Biennale, Gwangju, cur. Kwang-su Oh
Greater New York: New Art in New York Now, P.S.1/MOMA, Long Island City
SOS: Scenes of Sounds, Tang Museum, Saratoga
False Start, curated By Cecilia Brunson, Center for curatorial studies, Bard College,Annandele on Hudson
The End, Exit Art, New York
Demonstrationsräume: A, Or Gallery, Vancouver, Canada and Gallery 400, University of Illinois, Chicago

1998

III Bienal Barro de América, Paço das Artes, Sao Paulo
X Premio Mendoza, Sala Mendoza, Caracas
Longitud de Onda: Videos-Fotografía, Museo Alejandro Otero, Caracas

1997

Así Está; la Cosa, Centro Cultural Arte Contemporáneo, Mexico City
Primera Bienal de Artes Visuales MercoSur, Porto Alegre
Norte del Sur: Venezuelan Art Today, Philbrook Museum of Art, Tulsa

1996

Video Faz, Art & Idea, Mexico City and Museo de Guadalajara

1995

Imaginary Beings, Exit Art, New York
Una Visión del Arte Venezolano, Museo de Arte Contemporáneo Sofía Imber, Caracas

1994

Insane Asylum, I.S.P. P.S.1 Museum, Long Island City
The Art of the next generation, Cristinerose Gallery, New York
Courage, New Museum of Contemporary Art, New York
Let the Artists Live, Exit Art, New York
Projects, Franklin Furnace Archive, New York


Bibliography

2012

Parallelwelt Zirkus, Verena Konrad a.o., Kunsthalle Wien, Vienna, pp. 22-42, 264-267, ex. cat.
dOCUMENTA (13) Una crueldad tolerable, Angela Molina, El Pais, Madrid, June 25
Documenta 13, Ana Teixeira PinoArt Agenda, New York, June 10
Javier Téllez, Aoife Rosenmeyer Art in America, New York, April 5
Ent-Art, Daniel Morgenthaler Züritipp, Tages-Anzeiger, Zurich, Feb. 16

2011

Wunder, Daniel Tyradellis, Beate Hentschel, Dirk Luckow, Deichtorhallen Hamburg, p. 204, ex.cat
A terrible Beauty is born, 11th Biennale de Lyon, Vitctoria Noorthoorn, Thierry Raspail, Thierry Prat, Lyon, pp. 216, 340, ex.cat
Daydream Believer!, Yebishu Intern. Festival for Art & Alternative Visions, Tokyo, pp. 66-67, ex.cat
EXPosition of mythology – Electronic technology, Manu Park, Nam June Paik Art Center, Gyeonggi-do (Korea), Youngbin Kwon, pp. 116-117, ex. cat
11th Biennale de Lyon, Elisabeth Lebovici, Artforum, New York, December, Vol. 50, No. 4, pp. 242-243
Lyon Biennale, Art Review, London, Issue 55, December, pp. 131+132
11th Biennale de Lyon, Christy Lange, Frieze, London, No. 143, Nov./Dec., p. 144
Ausstellungen, Monopol, Berlin, No. 11, p. 144
Wundert euch!, Ulrich Schnabel, Die Zeit, Hamburg, No. 41, 6.10.2011
Letter on the Blind, For the Use of Those Who See, S.E. Smith, Pastelegram Review, July 15
Modern-day parable: Artist’s film expands upon Indian tale about blind men who encounter an elephant, Jeanne Claire van Ryzin, The Austin American Statesman, July 13
Bertarelli streicht die Segel, Herr Wichtig bellt und Netzer lächelt, Andrea Fopp, Basler Zeitung, Basel, June 15, p. 34
Javier Téllez’s O Rinoceronte de Dürer at Arratia, Beer, Berlin, Ana Teixeira Pinto, www.art-agenda.com, New York, Feb.

2010

Erdkunde, Klaus Biesenbach, Monopol, Berlin, No. 4, April, p. 16
Javier Téllez, Pedro Reyes (int.), BombNew York, No. 110, March, pp. 80-87

2009

Auf Caligaris Stern, Maria BeckerNeue Zürcher Zeitung, Zurich, June 6, p. 42
Jeanne d’Arc in der Psychiatrie, Ingeborg Ströle , Basellandschaftl Zeitung, Liestal, May 8, p. 29
Verrückte Welten, Karen N. Gerig , Basler Zeitung, Basel, Apr. 27
Imaginäre Welten, Basler Zeitung, Basel, Apr. 24
Javier Téllez, 41/2 und Mind The Gap, Anne-Kathrin Auel, Kunst-Bulletin, Zurich, June, pp. 70-71
For You / Para Usted. Videos aus der Daros-Latinamerica Sammlung, Javier Téllez, Daros Exhibitions, Zurich, Apr. 24, pp. 34-35, ex. mag.
Bis zum Tod – Videokunst aus Lateinamerika bei Daros, Philipp Meier, Neue Zürcher Zeitung, Zürich, No. 129, June 8, p. 28
Die verrrückten Welten des Javier Téllez, Christoph Doswald, Tages-Anzeiger, Zürich, May 13, p.4
Von einem anderen Stern, Georg Imdahl, Kölner Stadt–Anzeiger, Cologne, No. 60, March 12
Das Innen und Aussen des Traums, Melanie Weidemüller, Stadtrevue, Das Kölnmagazin, Cologne, March

2008

Des Schlafwandlers Wissen, Katrin Bettina Müller, TAZ Die Tageszeitung, Berlin, Nov. 21
Javier Téllez. Invisible populations; animals, sight, translation and interpretation, Steven Stern, Frieze, London, No. 116, June / July / Aug., pp. 210 - 211
Afterall, ed. Charles Esche / Thomas Lawson / Mark Lewis / Dieter Roelstraete, text by Michèle Faguet, Museum van Hedendaagse, Antwerp, pp.45 - 54
Diary: Performance Anxiety. Political currents at the Whitney Biennial, RoseLee Goldberg, Modern Painters, New York, pp. 42 - 45
Comelo, lamelo, roncalo, jodelo, Adrian Searle, El Cultural, Madrid, April 3-9, pp. 36-38
Whitney Biennial 2008, Andrzej Lawn, Flash Art, Milan, No. 260, May-June, pp. 79/84
Whitney Biennial 2008, Steven Stern, Frieze, London, May
Whitney Biennial 2008, ed. Henriette Huldich / Shamin M. Momin, text by Trinie Dalton, Whitney Museum of American Art, New York / Yale University Press, New Heaven and London, pp. 238–239, ex. cat.
Mimétisme. Extracity, Antwerp, Eva Wittocx, Flash Art, Milano, No. 259, March – April, p. 82

2007

Residentes. 2003-2007 Paris, Philippe Roller, Paris, pp. 216 - 219
Was war, Review: “Between to Deaths” in Karlsruhe, Daniel Völzke, Monopol, Berlin, No.7, July, p. 121
Footnotes on Geopolitics, Market, and Amnesia, 2 moscow biennale of contemporary art, Moscow, Mar. 1 – Apr. 1, p. 168-169, ex. cat.
100 Latin American Artists, Rosa Olivares, Exit Publications, Madrid, pp. 410-413, 452, cat.
Between two deaths, Ellen Blumenstein, Ensslin Felix, ZKM, Karlsruhe, Hatje Cantz, Ostifildern, pp. 28, 55, 58, 232-235, 303, ex. cat
Bloss keine Diskurs-Kacke. Karlsruhe: „Zwischenn zwei Toden im ZKM“, Dorothee Baer-Bogen schütz, Kunstzeitung, Regensburg, No. 129, May, p. 15
Entrückte Anmut: ‘Oedipus Marshal’ von Javier Téllez in Köln, Catrin Lorch, Frankfurter Allgemeine Zeitung, Frankfurt am Main, Apr. 7, p. 50
Ärger im 21. Stockwerk. Die zweite Moskau-Biennale für zeitgenössische Kunst, Samuel Herzog, NZZ Online, Neue Zürcher Zeitung, Zürich, March 14

2006

“On Mobility”, van Weelden, Dirk, De Appel, Amsterdam, ex.cat., pp. 72-73
“Javier Téllez bei Peter Kilchmann”, Von Burg, Dominique, Kunst-Bulletin, Lucerne, No.5,May, p. 64
“Biennals/Survey Shows”, Bradley, Will, Frieze, London, Issue 96, Jan/Feb.
“Un Nuevo y Bravo Mundo”, El Perro, Costa, Jordi a.o., Sala Alcalá, Madrid, ex.cat., pp. 32, 91-101

2004

“Report from Sydney, South by Southeast”, Wei, Lilly, Art in America, New York, No. 11, Dec., pp. 63-65
“Biennale of Sydney”, Ward, Ossian, Frieze, London, No. 86, Oct., p.169
“On Emotion and Reason: The 14th Biennale of Sydney”, Wei, Lilly, Art Asia Pacific, New York, No. 42, Fall, pp. 24-25
“14th Biennale of Sydney”, Doherty, Claire, Art Monthly, London, Vol.43/No.3, July/Aug.,pp. 29-30

2003

“Dis(lo)cation”, Gonzales, Julieta. Prague Biennale 1, ex.cat.

2002

”Javier Téllez, Alpha 60 (The mind-body problem)”, Cotter, Holand, The New York Times, New York, 18 Oct.
“Javier Téllez: Institutionalized Aesthetics”, Flash Art International, Milan, July/Sept.
“Crazy World”, Klaasmeyer, Kelly, Houston Press, Vol.14/No. 31, 1-7 Aug.
“Los Viajes Imaginarios de la Locura,” El Nacional, Papel Literario, Caracas, 1 June
“Una Bienal del Sur,” El Ojo Breve. Reforma, Mexico City, 8 May

2001

“Videodrome,” Hoptman, Laura, Flash Art International, July-September
“The Good, The Bad and The Ugly”, Lewisohn, Cedar, Flash Art International, Jul./Sept.
“Mexico on My Mind: Javier Téllez,” Iwasaki, Hitomi, Fine Arts, Tokyo
“El Encierro lo cura”, Cuauhtémoc, Medina, El Ojo Breve. Reforma, Mexico City, 19 Apr.
“Javier Téllez, Loop: Alles auf Anfang”, Harris, Larissa, Kunstwerke, Berlin, ex.cat.
“Javier Téllez,” Arratia, Euridice, Tema Celeste, Milan, Summer
“Learning from Spiders,” Brett, Guy, La Biennale di Venezia, Italy, ex.cat.

2000

“Inside and Out: Playful Wit Reigns at Skidmore’s New Museum,” The New York Times, New York, 22 Dec.
“Javier Téllez,” Kent, Sarah, TimeOut, New York, #1529, London, 8&872215 Dec.
“Greater New York,” Siegel, Katy, Artforum International, May
“Plato’s Cave, Alberti’s Window and Benthams Panopticum: Notes on Javier Téllez’s
“I am Happy Because Everyone Loves Me,” Zamudio, Raúl, NY Arts, New York, Vol. 5, May
“New York Contemporary, Defined 150 Ways,” The New York Times, 6 March
“Exotica Incognita”, Kim, Yu Yeon, Man + Space, Kwangju Biennale, Korea, ex.cat.

1999

“Javier Téllez in Gasworks,” Negrotti, Rosanna, What’s On in London, 8 Dec.

1998

“Sobre las estrategias de exhibición,” Papel Literario, El Nacional, Caracas, 29 Nov.
“Mi arte es un virus que vive en las grietas,” Lebon, Manuel, El Universal, Caracas, 9 Sept.
“Javier Téllez: Licantropía”, Mendoza, Ana, El Globo, Caracas, 7 Sept.
“1ere Biennale do Mercosud,” Jouannais, Jean Ives, Art Press, Paris, No.232, Feb.
“Bienal Mercosul,” Sichel, Berta, Flash Art International, Milan, Vol.XXXI, No.198., Jan./Feb.
“First Mercosur Biennial”, Haber, Alicia, Art Nexus, Miami, No.27, Jan./March
“El artista trickster o de como el hospital se metió dentro del museo,” Hernändez,
Carmen, Arte y Locura: Espacios de Creación, Serie Reflexiones en el Museo,
Museo de Bellas Artes, Caracas, No. 3.
“Penalty,” Estilo, Añ′96o 9/No.33
“Los palimpsestos de la identidad,” Estilo, No. 34
“IX Salón Mendoza”, Fajardo−Hill, Cecilia, Sala Mendoza, Caracas, ex.cat.
“Longitud de Onda”, Fuenmayor, Jesús, Museo Alejandro Otero, Caracas, ex.cat.

1997

“Así está la cosa: Nada más latinoamericano que temer parecerlo”, Centro Cultural Arte Contemporáneo, Mexico City, ex.cat.
“La Nave de los Locos”, Gallo, Rubén, Fundación Mendoza, Caracas, ex.cat.
“Primera Bienal de Artes Visuales MERCOSUR”, Morais, Federico, Guevara, Roberto, Porto Alegre, Brazil
“Javier Téllez,” Gallo, Rubén, Poliester, Fall
“Del Alma y el Arte”, Krebs, Victor, Serie Reflexiones en el Museo, No. 2. Museo de Bellas Artes, Caracas
“50 Obras del Salón Michelena”, Palenzuela, J. C., Colección El Tiempo Derramado, Tierra de Gracia Editores, Caracas
“Norte del Sur: Venezuelan Art Today”, Tuchman, Phyllis and Duque, Philbrook Museum, Tulsa

1996

“Javier Téllez at Silverstein Gallery,” Costa, Eduardo, Art in America, Nov.
“Pistas para descubrir el itinerario mental de un artista,” Pomenta, Allison., Economia Hoy, Caracas, 9 Oct.
“Javier Téllez at Silverstein Gallery”, Art Nexus, Milan, Sept.
“Exhibit Turns Museum in Madhouse,” Maddicks, Russell, The Daily Journal, 28 Sept.
“Cada quien busca su propia locura”, Wisotzki, Rubén, El Nacional, Caracas, 28 Sept.
“Art Short List”, Levin, Kim, The Village Voice, New York, 26 April
“Javier Téllez: Arqueólogo Trickster”, Hernández, Carmen, Estilo, Caracas, Dec.
“Video Faz”, Art & Idea, Ciudad de México Arco Latino, Sichel, Berta, Madrid
“La Extracción de la Piedra de la Locura”, Hernández, Carmen, Museo de Bellas Artes, Caracas
“De un Hospital dentro del Museo”, La Extracción de la Piedra de la Locura, Museo de Bellas Artes, Caracas


© Copyright 2014 ARRATIA BEER. All Rights Reserved
© Copyright 2014 ARRATIA BEER. All Rights Reserved
info (at) arratiabeer.com
info (at) arratiabeer.com